Artemisia Gentileschi was the greatest female artist of the Baroque age and one of the most brilliant followers of the great Caravaggio. As a young woman she was raped by her tutor, and then had to endure a seven-month-long trial during which she was brutally examined by the authorities. Gentileschi was shamed in a culture where honour was everything. Yet she went on to become one of the most sought-after artists of the seventeenth century. Gentileschi’s art communicated a powerful personal vision. Like Frida Kahlo, Louise Bourgeois or Tracey Emin, she put her life into her art.
Jonathan Jones is art critic for The Guardian and the author of Sensations: The Story of British Art from Hogarth to Banksy, as well as The Loves of the Artists: Art and Passion in the Renaissance and The Lost Battles: Leonardo, Michelangelo and the Artistic Duel that Defined the Renaissance.
|Publication Date||9 March 2020|
|Illustrations||20 colour illustrations|
|Rights||Europe (excluding Netherlands, Belgium, Germany, Austria, Switzerland), Middle East, South Africa, Swaziland, Lesotho, Namibia, Botswana and Zimbabwe|