The town of Glory is famous for two things: businesses that front for seedy, if not illegal, enterprises and the suicides that happen along the Indigo River. Marsden is desperate to escape the “bed-and-breakfast” where her mother works as a prostitute—and where her own fate has been decided—and she wants to give her little sister a better life. But escape means money, which leads Mars to skimming the bodies that show up along the Indigo River. It’s there that she runs into Jude, who has secrets of his own and whose brother’s suicide may be linked to Mars’s own sordid family history. As they grow closer, the two unearth secrets that could allow them to move forward . . . or chain them to the Indigo forever.
With a fresh concept and gorgeous prose, this novel is an intensely atmospheric read for young adults and adults alike.
Caravansérail is a gorgeous bilingual bookshop, gallery and cultural space nestled in London’s Brick Lane, which offers a wonderful aray of adult and children’s titles in both French and English. Head there to find your newest read and grab a coffee surrounded by beautiful books, shelving and art. The shop front is spectacular (the blue is so striking and inviting) and their signage and branding is stunning.
Since opening in September 2017, co-owners Laura and Anne have hosted various events featuring authors, artists and musicians, cementing themselves as a hub within the community.
There’s something for everyone in the shop, from a carefully curated selection of cookery titles chosen by a local chef, or the wide range of translated fiction – a focus for Laura.
We caught up with Laura and Anne and asked them a few questions:
1. Congratulations on being chosen as our February Bookshop of the Month! We’ve talked a bit about you and the shop but how would you describe Caravansérail in five words?
A home for hybrid cultures.
2. Where is your favourite spot in the store?
The children’s nook! A place to shelter and escape from the buzz of the city. A perfect spot to read, whether you’re with kids or not.
3. Where do you like to read? Anne: in the wilderness! I used to live on the West coast of Canada and my favourite spot to read so far has been in Dorreen – an abandoned mining town in British Columbia that you can only access by train. A heaven lost between mountains, forest and river. Comfortably seated on the porch of a cabin, a steaming mug of coffee in one hand, a book in the other… and not too far away, a bowl of freshly picked blueberries. Sublime! Laura: nothing beats the combination of reading and fireplace for me, wherever it may be.
4. If you weren’t a bookseller what would you be? Anne: aside from Caravansérail, I am running an artist residency and an artists agency. Supporting and promoting the work of emerging artists is the cement of these three activities. Laura: I’d probably be doing something in publishing.
5. Excluding Caravansérail – what is your favourite bookshop? Anne: I love browsing the beautiful bookshops in the Quartier latin in Paris – a day well spent! Laura: without hesitation Daunt Books, Marylebone.
Help us make a video for Women’s History Month and the forthcoming book, DRESS LIKE A WOMAN by ABRAMS Books (foreword & introduction by Vanessa Friedman & Roxane Gay), and be in with a chance of winning the book when it publishes!
The moment Spencer meets Hope the summer before seventh grade, it’s . . . something at first sight. He knows she’s special, possibly even magical. The pair become fast friends, climbing trees and planning world travels. After years of being outshone by his older brother and teased because of his Tourette syndrome, Spencer finally feels like he belongs. But as Hope and Spencer get older and life gets messier, the clear label of “friend” gets messier, too. Through sibling feuds and family tragedies, new relationships and broken hearts, the two grow together and apart, and Spencer, an aspiring scientist, tries to map it all out using his trusty system of taxonomy. He wants to identify and classify their relationship, but in the end, he finds that life doesn’t always fit into easy-to-manage boxes, and it’s this messy complexity that makes life so rich and beautiful.
Rachael Allen is the author of 17 First Kisses and The Revenge Playbook. She lives in Atlanta, Georgia, with her husband, two children and two sled dogs. Visit her website here.
We fell in love with Spencer’s taxonomy charts in the book so we couldn’t resist asking Rachael to make a taxonomy about… Taxonomy! See her beautiful hand-written creation below:
From sibling relationships to neurodiverse characters to peach ice cream (x3), not only does A Taxonomy of Love span 6 years of the characters’ lives, it also incorporates some of the most important aspects of family, friendship, love and loss while subverting stereotypes in the process.
If you’re still not sure, you can dive into an extract here!
Let us know your thoughts at @ACBYA using #TaxonomyOfLove
Kicking off 2018, our January Bookshop of the Month is Button and Bear, a children’s bookshop in Shrewsbury owned and run by Louise Chadwick, former director of programmes at BookTrust.
Button and Bear has been designed with children and parents in mind with the goal of getting children interested in books as early as possible. Opening in September 2016 the bookshop also has a café, a gift shop, a breastfeeding area and what can only be described as a magical woodland events space. They run a multitude of regular events including their highly praised Stories & Rhymes in the Woodland (check out their Facebook reviews) and they’ve cemented themselves as a community hub for customers.
We caught up with Louise to ask her a few questions:
1. Congratulations on being chosen as our January Bookshop of the Month! We’ve talked a bit about you and the shop but how would you describe Button and Bear in three words?
Friendly, knowledgeable & unique
2. Where is your favourite spot in the store?
Our hidden woodland room downstairs where we hold storytimes, events & birthday parties. There are no windows & it feels cosy & magical.
3. Where do you like to read?
Everywhere! But mostly when I can lose myself in the book and become part of the story.
4. If you weren’t a bookseller what would you be?
I previously worked for a book charity inspiring people to read focusing on children & parents, which is what I do now through Button & Bear. If I wasn’t a bookseller I would still be out there championing the importance of reading for pleasure & making sure as many children & parents had access to books.
5. Excluding Button and Bear – what is your favourite bookshop?
Tricky to choose just one but I would say that Booka Bookshop in Oswestry is a lovely environment and has brought some great authors to the market town.
Button & Bear can be found at:
28 Castle St
The Last Jedi is now officially in cinemas, Christmas is around the corner and, if it hasn’t already, the force of the wish-list awakens…
Here’s our guide to 5 of the galaxy’s greatest gifts for the Jedi/Sith/Droid/Porg in your life:
1. For the fan who’s already booked repeat viewings:
The Art of Star Wars: The Last Jedi by Phil Szostak
Star Wars: The Force Awakens shattered box-office records as one of the highest-grossing films of all time, and its eagerly awaited sequel, Star Wars: The Last Jedi, is sure to do the same. Written and directed by Rian Johnson (Looper, The Brothers Bloom, Brick) and production designed by Rick Heinrichs (Fargo, The Big Lebowski, The Nightmare Before Christmas, Captain America: The First Avenger), this episode, like every episode before it, owes its visual language and fully imagined cinematic landscape to an incomparable art department: the Lucasfilm ‘visualists.’ The Art of Star Wars: The Last Jedi explores their vision and illuminates their creative process in stunning detail. Featuring concept art and costume sketches, storyboards, and blueprints, fans will take a deep dive into the development of the fantastic worlds, characters, and creatures—both old and new—of Star Wars: The Last Jedi. Featuring unforgettable art and exclusive interviews with the filmmakers, this visual archive highlights moviemaking magic at its finest.
Darth Vader and Family Coloring Book By Jeffrey Brown
Jeffrey Brown’s reimagining of the Star Wars universe has delighted adult fans and young Jedi alike. This new adult colouring book is equally fun to share, featuring a careful translation of artwork from the bestselling Darth Vader and Son™ series to a large-format collection on crisp white paper, plus nine new images to colour.
Star Wars Kirigami: 15 Cut and Fold Ships from Across the Galaxy By Marc Hagan-Guirey
Celebrated paper artist and designer Marc Hagan-Guirey has applied his genius to the Star Wars galaxy in this book of 15 unique kirigami (cut-and-fold) ships featured in the saga’s films. Ranging in difficulty from beginner to expert, each beautifully detailed model features step-by-step instructions and a template printed on cardstock—all that’s needed are a utility knife, a cutting mat, and a ruler. Clear tips and guidance through the tricky stages help readers craft their own X-wing, Imperial Star Destroyer, Millennium Falcon, and a dozen more ships and vehicles, each accompanied by colourful and inspiring photographs of the final model on display (or ready for a jump to Hyperspace).
Ralph McQuarrie is the most iconic artist in the history of Star Wars. He worked hand-in- hand with George Lucas to help establish the saga’s visual aesthetic, its inimitable look and feel. Carefully selected from the definitive volume, Star Wars Art: Ralph McQuarrie, these postcards are a celebration of Star Wars as a masterpiece of design and world-building. The deluxe keepsake package also functions as a display frame: the box features a die-cut window, so fans can rotate their favourite production design paintings into view.
Ninety-nine Stormtroopers join the Empire, and then their troubles begin. One takes a lunch break in the carbon freezing chamber. Two underestimate a princess. One picks the wrong time to ask for a promotion. Another fails to show Jabba the proper respect. And one interrupts Lord Vader’s private time, failing him for the last time. A lifelong Star Wars fan, Greg Stones brings a playful wit and sympathy for the plight of the troops as they meet their amusing ends, filling each colorfully painted scenario with fun Star Wars details and appearances by Han, Luke, Chewie, K-2SO, and many other characters. As the trooper count ticks down, how will the last one fare as he receives a very special assignment (on the Death Star)?
The Star Wars Cookbook: BB-Ate Awaken to the Force of Breakfast and Brunch
By Lara Starr, photography by Matthew Carden
BB-Ate is rolling into shops in the New Year so store up any gift tokens or pre-order now for some delicious recipes from across the galaxy!
Fuel up with Hans Soloatmeal, battle hunger with Admiral Ackbars, and so much more!
These easy-to-make, mouth-watering recipes feature characters and scenes from Star Wars: The Force Awakens as well as from the upcoming film Star Wars: The Last Jedi. And photographs action figures Star Wars figurines re-creating epic moments from the films provide an extra helping of humour.
We first featured paper artist Marc Hagan-Guirey back in September, when his new book, STAR WARS KIRIGAMI, hit shelves. He explained how he first encountered the world of kirigami and what led him to start creating scenes, buildings and vehicles from movies.
Now, with only one week until the latest instalment in the Star Wars saga hits cinema, he has told us a little more about the book and its part in the journey to The Last Jedi.
So how do you turn the ships into paper? What is the design process?
Needless to say I watch a lot of Star Wars. There’s a ton of resource material to work from which is great to make the kirigami design as accurate as possible. Sometimes there’s a bit of artistic license involved in order to make a ship fold properly. It’s about figuring out the basic shape of the ship first and then building upon that with details. I often use the LEGO versions of ships as resource because they’re essentially simpler versions of the real thing.
Which is your favourite ship in the book and why?
A prequel ship. The Jedi Star fighter from Star Wars: Revenge of the Sith stands out for me. The prequel ships are slightly more stylised than those in the original trilogy. With lots of extra details and folds, they translate really well to paper.
Is there anything else interesting about the creation of the book that you can share with us?
Apart from a new ship from The Last Jedi, I wanted to offer something a little different with my book. I’m really interested in the production design process, from concept to final product. Each project comes with a written accompaniment detailing this. There are lots of interesting facts about the designers who worked on the films and pictures of the original concept drawings. It’s a celebration of the people behind the camera.
Tell us about the Star Wars exhibition you did.
It was called Cut Scene. It had 12 kirigami scenes from the original trilogy. my exhibitions are more like a collection of tiny movie installations. Each kirigami was housed in shadow box with a strong backlit colour reflective of the tone of the movie scene. I love how lighting plays a huge effect in cinema in creating that theatre. With the kirigami you get to experience a dual personality. You can appreciate the paper for the ‘craft aspect’ when viewed in a fully lit room (with ‘the big lights’ on) and then become immersed in the effect when they are lit with colour. It’s a bit like riding a ghost train in the dark and then again with the lights on. The experiences are very different – with the lights on you get to say ‘ah! That’s how they did it’.
The pieces were arranged chronologically and floated on the walls at eye level. I loved how every morning when I’d go in to the gallery to prepare it for opening, I’d have to clean nose smudges off the perspex from when people had be peering in. They’re probably the most complex work I’ve done to date. For example, my favourite, the Carbonite Freezing scene from The Empire Strikes Back took me around 2 years to master. Tweak after tweak, I was still working on it a few days before the show opened. I’m so glad I did that show. I was nervous because the Horrorgami exhibition had garnered so much press that anything other than that would have felt like a bit of a letdown. Cut Scene ended up dwarfing it in those terms. I was also not feeling great before that. I’d lost my mum to cancer, came to the end of a 7 year relationship and moved out of our home that I’d spent 2 years renovating, so much of the effect of those experiences had compounded. I literally decided one day – what makes me happy? What will help me get back to being me? As silly as it sounds the answer was kirigami and Star Wars.
What other books have you published?
This is my third book now. My first book ‘Horrorgami’ was a follow up to my first exhibition. Just a few months ago my second book ‘Frank Lloyd Wright Paper Models’ was published. It’s a collection of his 14 most celebrated buildings. I’ve just returned from California and visited (loitered) outside quite a few of them.
What’s next for you?
I’m keen to have another solo exhibition. I’ve had 3 year gaps between them so I’m ready… that’s how long it takes to build up the energy. They’re all consuming! If enough people like this book then hopefully I can do another!
Who or what are you inspired by?
I guess there’s no one particular source. Film, TV, interior designs. I have a tendency to be drawn more towards the relatively more ‘unsung’ heroes of film & TV such as set designers and concept artists. Outside of media I find inspiration in all sorts just from being observant. I guess if I can look at something, anything be it an object or photo and I can see it has a backstory – then my mind goes into overdrive romancing what it’s history is. I’ve got lots of pals who make stuff – crafters and artists. Anyone who makes something from nothing inspires me to keep creating.
If you could meet any actor from the Star Wars films who would you most like to meet and why?
It would have been Carrie Fisher. Her passing has a huge effect on me. It was very strange – psycho-analysing myself – her death had obviously re-surfaced the loss of my mum a few years ago. Another feisty woman who was gone too soon. On top of mourning the loss of a person you admire as a fan-base, we also are hurting due to the loss of the character too – knowing that they’ll never be able to fully complete her character’s arc. I always felt out of every character, Leia lost the most and gave the most. Luke was obsessed with his own journey whilst Leia looked at the bigger picture and sadly either her family was taken from her or they abandoned her (in the new films). She deserves a happy conclusion.
Are you excited to see the new film; The Last Jedi which is released cinemas this December?
I think tormented by the wait is the more accurate feeling!
STAR WARS KIRIGAMI is out now. Find out more here and watch Marc Hagan-Guirey in action here!
Our December Bookshop of the Month 2017 is The Mainstreet Trading Company who have been celebrating ten years since they transformed a former auction house into a destination venue in the picturesque Scottish Border village of St Boswell’s (brown tourist sign included!).
We highly recommend that you visit and spend a few blissful hours here – there is something to tempt everyone. Mainstreet boasts a gorgeous home store and a wonderfully inviting deli, but at its heart is the beautiful bookshop and café. After admiring their magnificent window displays (check out their archive here), you will walk in and be greeted by the unmistakeable aroma of books and coffee, there’s nothing quite like it. You will see crisp white shelves, carefully curated tables and stunning displays that will entice you into browsing, and there is always a bookseller on hand should you need recommendations or help finding a title. Be sure to check out their specialist Children’s and Cookery areas.
Mainstreet is a bookshop that would be hard to leave empty handed, and why would you when you can choose your book (or several!), settle in to the café with a cuppa, crack the spine and begin. Go on, you know you want to…
We caught up with owner Rosamund de la Hay to ask her a few questions:
1. Congratulations on being chosen as our December Bookshop of the Month! We’ve talked a bit about you and the shop but how would you describe The Mainstreet Trading Company in three words?
Welcoming, enthusiastic, knowledgeable.
2. Where is your favourite spot in the store?
The Book Burrows (or the new books till with our beautiful new wooden counter!)
3. Where do you like to read? In the sun room at home or on a beach on the west coast of Scotland (ideally not in the rain)
4. If you weren’t a bookseller what would you be? I’d almost certainly revert to being a publisher as in my past life.
5. Excluding The Mainstreet Trading Company – what is your favourite bookshop? Tricky one, there are so many lovely ones! Either The Golden Hare in Edinburgh or Mr B’s Emporium of Reading Delights in Bath.
The Mainstreet Trading Company can be found at:
This month’s Bookshop of the Month is the gorgeous The Kew Bookshop. The shop’s outward façade stands out beautifully on the leafy and photogenic Station Approach behind Kew Gardens Station, just a 5-minute walk from the Royal Botanic Gardens. It’s not a big shop but inside it is bright and inviting, drawing you in to the nooks and crannies to get a better look. The booksellers are friendly and knowledgeable, and the books are carefully chosen with the customer in mind. Like all good independent bookshop’s, The Kew Bookshop is a hub within the community with an excellent relationship with local schools, championing children’s books and reading, whilst also hosting author events and book launches. Next time you’re in the area make sure you take some time out to browse and discover your next great read!
We caught up with owner, Adam Hewson, who also owns The Sheen Bookshop, to ask him a few questions:
1. Congratulations on being chosen as our November Bookshop of the Month! We’ve talked a bit about you and the shop but how would you describe The Kew Bookshop in three words?
Welcoming, customer-focused, knowledgeable
2. Where is your favourite spot in the store?
In front of the history section- in a tiny shop like ours, it is the perfect vantage point to see the customers for chats and recommendations and there are fab books behind you!
3. Where do you like to read?
Ah, the famous question answered so wonderfully by Italo Calvino in ‘If on a Winter’s Night, A Traveller’. Any opportunity really, but with a gin in the garden is quite un-improvable.
4. If you weren’t a bookseller what would you be?
Had I done the training, perhaps archaeology (although I’m certain I would be wishing I was a bookseller.)
5. Excluding The Kew Bookshop – What is your favourite bookshop?
Obviously, The Sheen Bookshop, as that is my other shop, but were I to choose another, I would opt for John Sandoe Books in Chelsea, an emporium of books indeed!
The Kew Bookshop can be found at:
1-2 Station Approach
Interviews with 200 women from a variety of backgrounds provide a snapshot of female life around the globe. Interviewees include: • Jane Goodall, conservation and animal welfare activist • Margaret Atwood, author and winner of The Booker Prize • Roxane Gay, author and feminist • Renée Montagne, former host of NPR’s Morning Edition • Alicia Garza, activist and co-founder of Black Lives Matter • Alfre Woodard, award-winning actor and activist • Marian Wright Edelman, head of the Children’s Defense Fund • Lydia Ko, professional golfer and Olympian • Dolores Huerta, labor activist, community organizer, and co-founder of the National Farm Workers Association • Alice Waters, chef, author, and food rights advocate • Chimamanda Ngozi Adichie, author and Macarthur Foundation fellow.
Each woman shares her unique reply to the same five questions: What really matters to you?, What brings you happiness?, What do you regard as the lowest depth of misery?, What would you change if you could?, and Which single word do you most identify with?
With responses ranging from uplifting to heartbreaking, these women offer gifts of empowerment and strength – inviting us to bring positive change at a time when so many are fighting for basic freedom and equality. Each interview is accompanied by a photographic portrait, resulting in a volume that is compelling in word and image—and global in its scope and resonance. This landmark book is published to coincide with an interactive website, building on this remarkable, ever-evolving project. A percentage of the originating publisher’s revenue from book sales will be distributed to organisations nominated by the women featured in the book.
The following is an extract from 200 Women Who Will Change the Way You See the World, edited by Ruth Hobday, Geoff Blackwell, Sharon Gelman and Marianne Lassandro, photographs by Kieran Scott.
Alicia Garza was born in Carmel in California, USA. She is an activist and organiser based in Oakland, California. In 2013, Garza co-founded Black Lives Matter (BLM), an ideological and political organising network campaigning against anti-black racism and violence. In 2016, she and her two BLM co-founders were recognised in Fortune’s World’s 50 Greatest Leaders. Garza is the director of special projects for the National Domestic Workers Alliance. She is also an editorial writer, whose work has been featured in publications including The Guardian, The Nation, The Feminist Wire, Rolling Stone and Huffington Post.
Q. What really matters to you?
I want to be able to tell my kids that I fought for them and that I fought for us. In a time when it’s easy to be tuned out, it feels really important to me to be somebody who stands up for the ability of my kids – of all kids – to have a future.
The other thing that really motivates me is wanting to make sure we achieve our goals. As I was coming up as an organiser, we were told we were fighting for something we might never see in our lifetime. I’m just not satisfied with that; I think change can happen much faster, but it requires organisation, and an understanding of power and how we can shift it from its current incarnation. We need to transform power, so that we’re not fighting the same battles over and over again. This is what I wake up thinking about every single day. And every night when I go to sleep, I’m thinking about how we can get closer to it tomorrow.
Women inspire me to keep going. My foremost in influence was my mother; she initially raised me on her own, having never expected to be a parent at twenty-six. She taught me everything I know about what it means to be a strong woman who is in her power. I’m also very much in influenced by black women throughout history. I’m inspired by Harriet Tubman, not only for all the work she did to free individual slaves – which, of course, was amazing – but for everything she did to eradicate the institution of slavery, the alliances she built to do so and the heartbreaks she endured in pursuit of her vision. And it’s not only women in the United States who inspire me. In Honduras in 2016, Berta Cáceres was murdered while pursuing her vision of ecological justice and a better life for the people in Honduras being preyed upon by corporations and the United States government.
Black Lives Matter has been a big part of my activism. When it came onto the scene, there was a lot of pushback; people responded by saying, ‘All lives matter.’ I think the intensity of these reactions against Black Lives Matter is a testament to how effective our systems are in isolating these kinds of issues – they make them seem as though they impact individuals, as opposed to entire communities. The all-lives-matter thing is simultaneously fascinating and infuriating to me, because it’s so obvious. Obviously all lives matter; it’s like saying the sky is blue or that water is wet. But, when people say, ‘Actually, all lives matter,’ it feels like a passive-aggressive way of saying, ‘White lives matter.’
People seemed shocked that police brutality was an issue, but I thought, ‘Um, where have you been?’ The police are supposed to serve all communities, but instead, they aren’t accountable to black communities in the same way they are to white communities. The United States is rooted in profound segregation, disenfranchisement and oppression in pursuit of profits. And it feels like the country is being powered by amnesia.
Q. What brings you happiness?
My community – absolutely. This includes both of my families, blood and chosen – because my family is also my friends, the people I’ve been through things with. These are the people who stand with me, support me and love me. They are the people who feed me, and we just let each other be, because we understand each other.
Q. What do you regard as the lowest depth of misery?
I’d call it capitalism. There is nothing on earth that makes people as miserable, that kills people as avidly and that robs people of their dignity so completely as an economic system that prioritises profits over human needs. Capitalism prioritises profits over people and over the planet we depend on. There are millions and millions of people living on the streets without homes because of capitalism. And there are millions and millions of people suffering from depression and other emotional and mental afflictions because of it – because the things we are taught should drive us and make us happy are unattainable for the majority of people on this planet. Capitalism shapes every understanding you have of who you are and of what your value is. If you have no monetary value – if you can’t sell something that you produce in this economy – then you are deemed unusable, unworthy and extraneous. There is no other force in the world that is so powerful and that causes so much misery for so many people.
Q. What would you change if you could?
I would start with all of the people who are suffering right now. I would give whatever is needed to every mama who is living in a car with her kids and is trying to figure out how she’s going to make it another day – if not for herself then for the people who depend on her. I would give to all the people who are dying in the deserts right now, trying to cross artificial borders pursuing what they think will be a better life here in the United States – if I had a wand I’d make it so that that journey was easier and that there wasn’t punishment on both sides. In fact, I would ensure that no one ever had to leave their homes in pursuit of survival – they would have everything that they needed right there at home.
The other area I would work on is within our own movements. I spend a lot of time thinking about how we could be clear about what we’re up against and how we each fight it differently; I think about how we can advance our goals without tearing each other up along the way. So, if I could wave a wand, I would also change some of the suffering of organisers and activists in our movements who are tired and burned out, who feel disposable and don’t feel seen.
Q. Which single word do you most identify with?
Courage. It takes real tenacity to be courageous.
200 Women is out from 31 October, find out more here. You can view the official project website here, which includes the trailer and additional extra media content. Follow 200 Women on Twitter, Facebook and Instagram.